Aesthetics:
"Chirico
acknowledged at the time that he could paint only when surprised (surprised
first of all) by certain arrangements of objects, and that the entire enigma of
revelation consisted for him in the word: surprise" (Breton, 15). Breton
goes on to note that the art that Chirico created certainly was linked with the
object that inspired it, but only in a way that two brothers resemble on
another or as a dream about a person resembles the actual person. Firstly, the
dream part is a part of the surrealist fascination with dreams. But, the
element of surprise seems to be essential to understanding the Surrealist
aesthetic desire as well. I was not familiar with De Chirico until I looked him
up, but after seeing some of his more famous paintings like Love Song,
The Red Tower and The
Disquieting Muses I realized I had at least seen some of his works. They encapsulate
(at least his work during his 'metaphysical' period) what I've always
considered surrealism's enjoyable aspects.
"I
insist on knowing the names, on being interested only in books left ajar, like
doors; I will not go looking for keys" (Breton, 18). This seems an
interesting aesthetic ideal for Breton considering the surrealist paintings. I
guess in some extent the door is left ajar in that a painting or drawing in
that style naturally opens itself to multiple vantage points and
interpretations. But, on the other hand the door seems firmly closed to getting
to the meaning behind the works.
There
is a long passage on Breton's concept of beauty after the dots on page 159
through the final page 160. But the final sentence of the book seems to
articulate Breton's view on beauty well enough. "Beauty will be convulsive
or will not be at all". If something therefore, doesn't cause an unconscious
reaction then it isn't beauty at all. Convulsions aren't usually something that
I incorporate into my ideas of pleasurable experiences, but there are of course
muscle convulsions that are. It's just an ugly word to associate with
beauty.
No comments:
Post a Comment